• Anton Bruckner’s Three Motets for mixed brass ensemble serve up some of the master’s most beautiful a cappela choral works with Ralph Sauer’s very eloquent transcriptions.
• The Motets span a 23 year period in Bruckner’s life and include:
1. Os Justi 2. Ave Maria and 3. Christus factus est
• The two outside movements feature Trumpets and Trombones (or optional Horns) and the Ave Maria utilizes four Horns and Tuba quartet (or optionally four Trombones), adding a rich conical sound to the grouping of movements.
• When performing this transcription a brass group can utilize all the performers of a large ensemble, but having each section resting during one of the movements.
• This music can be successfully performed by intermediate to advanced level performers.
Unlike other radicals, such as Richard Wagner or Hugo Wolf who fit the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.
His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms, who pointed to their large size, use of repetition, and Bruckner's propensity to revise many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred.
In 1974, Sauer was named Principal Trombonist of the Los Angeles Philharmonic by Zubin Mehta. He made his Los Angeles Philharmonic concerto debut in 1979, performing Kazimierz Serocki's Concerto for Trombone and Orchestra with Zubin Mehta conducting - a work whose U.S. premiere Sauer gave at the Eastman School of Music in 1965. In March 2003, Sauer premiered Augusta Read Thomas’s Trombone Concerto with the Los Angeles Philharmonic, conducted by Esa-Pekka Salonen. He was also a frequent performer with the Philharmonic's New Music Group. He retired from the orchestra in 2006.
Sauer has appeared as soloist with many orchestras and has given master classes and recitals throughout Europe, Scandinavia, Japan, Mexico, Costa Rica, Canada, and the United States. He has appeared at the Stratford, Marlboro, and Aspen summer music festivals and was visiting professor at the Eastman School of Music as well as an instructor with the New World Symphony (Miami) and the International Brass Festival in Melbourne (Australia). Currently, Sauer is on the faculty of Music Academy of the West and Arizona State University. He has taught many prominent trombonists, including Christian Lindberg.
Sauer is a founding member of Summit Brass, and is a clinician for Shires trombones.
He is featured on a number of recordings, including: A recording of works by Teleman, Handel, Haydn, and others (with Zita Carno on keyboards) (Crystal Records) The Mahler Symphony No. 3 , with Esa-Pekka Salonen conducting the Los Angeles Philharmonic (with Anna Larsson, contralto; Donald Green, posthorn; Martin Chalifour, violin; Paulist Boy Choristers of California, Women of the Los Angeles Master Chorale) (Sony Classical)
Two discs of orchestral excerpts for trombone with commentary (Summit Records, OrchestraPro series). These are among the most sought after discs for those preparing for orchestral trombone auditions.