Debussy composed this breathtaking unaccompanied work in 1913, and it became the first solo work for the Böhm flute and the first solo work by a major composer since C.P.E. Bach almost 150 years earlier!
The music allows wide latitude for interpretation and can really show off the musical imagination of the performer.
The great French flautist Marcel Moyse is credited with adding phrasing and barlines to his friend Debussy's new work.
In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a river’s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god’s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as syrinx.
This work of 2 1/2 minutes for advanced performers can add a new dimension to your recital, as it is often performed offstage.
The sample performance was recorded by Trombonist Ralph Sauer in May 2012.
Free pdf Sample
His music is noted for its sensory component and how it is not often formed around one key or pitch. Often Debussy's work reflected the activities or turbulence in his own life. His music virtually defines the transition from late-Romantic music to 20th century modernist music. In French literary circles, the style of this period was known as symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
In 1974, Sauer was named Principal Trombonist of the Los Angeles Philharmonic by Zubin Mehta. He made his Los Angeles Philharmonic concerto debut in 1979, performing Kazimierz Serocki's Concerto for Trombone and Orchestra with Zubin Mehta conducting - a work whose U.S. premiere Sauer gave at the Eastman School of Music in 1965. In March 2003, Sauer premiered Augusta Read Thomas’s Trombone Concerto with the Los Angeles Philharmonic, conducted by Esa-Pekka Salonen. He was also a frequent performer with the Philharmonic's New Music Group. He retired from the orchestra in 2006.
Sauer has appeared as soloist with many orchestras and has given master classes and recitals throughout Europe, Scandinavia, Japan, Mexico, Costa Rica, Canada, and the United States. He has appeared at the Stratford, Marlboro, and Aspen summer music festivals and was visiting professor at the Eastman School of Music as well as an instructor with the New World Symphony (Miami) and the International Brass Festival in Melbourne (Australia). Currently, Sauer is on the faculty of Music Academy of the West and Arizona State University. He has taught many prominent trombonists, including Christian Lindberg.
Sauer is a founding member of Summit Brass, and is a clinician for Shires trombones.
He is featured on a number of recordings, including: A recording of works by Teleman, Handel, Haydn, and others (with Zita Carno on keyboards) (Crystal Records) The Mahler Symphony No. 3 , with Esa-Pekka Salonen conducting the Los Angeles Philharmonic (with Anna Larsson, contralto; Donald Green, posthorn; Martin Chalifour, violin; Paulist Boy Choristers of California, Women of the Los Angeles Master Chorale) (Sony Classical)
Two discs of orchestral excerpts for trombone with commentary (Summit Records, OrchestraPro series). These are among the most sought after discs for those preparing for orchestral trombone auditions.