Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood.
Mr. Sauer uses the original key of B-flat, which lays perfectly for all of the "bird-like" calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
Free pdf Sample
A beautiful Youtube performance by Soprano, Rita Streich
Saint-Saëns was born in Paris, France on 9 October 1835. His father, a government clerk, died three months after his birth. He was raised by his mother, Clémence, with the assistance of her aunt, Charlotte Masson, who moved in. Masson introduced Saint- Saëns to the piano, and began giving him lessons on the instrument. At about this time, age two, Saint-Saëns was found to possess perfect pitch. His first composition, a little piece for the piano dated 22 March 1839, is now kept in the Bibliothèque nationale de France. Saint-Saëns's precociousness was not limited to music. He learned to read and write by age three, and had some mastery of Latin by the age of seven. His first public concert appearance occurred when he was five years old, when he accompanied a Beethoven violin sonata. He went on to begin in-depth study of the full score of Don Giovanni. In 1842, Saint-Saëns began piano lessons with Camille-Marie Stamaty, a pupil of Friedrich Kalkbrenner, who had his students play the piano while resting their forearms on a bar situated in front of the keyboard, so that all the pianist's power came from the hand and fingers and not the arms. At ten years of age, Saint-Saëns gave his debut public recital at the Salle Pleyel, with a performance of Mozart's Piano Concerto No. 15 in B-flat major (K. 450), and various pieces by Handel, Kalkbrenner, Hummel, and Bach. As an encore, Saint- Saëns offered to play any of Beethoven's 32 piano sonatas from memory. Word of this incredible concert spread across Europe, and as far as the United States with an article in a Boston newspaper.
In 1974, Sauer was named Principal Trombonist of the Los Angeles Philharmonic by Zubin Mehta. He made his Los Angeles Philharmonic concerto debut in 1979, performing Kazimierz Serocki's Concerto for Trombone and Orchestra with Zubin Mehta conducting - a work whose U.S. premiere Sauer gave at the Eastman School of Music in 1965. In March 2003, Sauer premiered Augusta Read Thomas’s Trombone Concerto with the Los Angeles Philharmonic, conducted by Esa-Pekka Salonen. He was also a frequent performer with the Philharmonic's New Music Group. He retired from the orchestra in 2006.
Sauer has appeared as soloist with many orchestras and has given master classes and recitals throughout Europe, Scandinavia, Japan, Mexico, Costa Rica, Canada, and the United States. He has appeared at the Stratford, Marlboro, and Aspen summer music festivals and was visiting professor at the Eastman School of Music as well as an instructor with the New World Symphony (Miami) and the International Brass Festival in Melbourne (Australia). Currently, Sauer is on the faculty of Music Academy of the West and Arizona State University. He has taught many prominent trombonists, including Christian Lindberg.
Sauer is a founding member of Summit Brass, and is a clinician for Shires trombones.
He is featured on a number of recordings, including: A recording of works by Teleman, Handel, Haydn, and others (with Zita Carno on keyboards) (Crystal Records) The Mahler Symphony No. 3 , with Esa-Pekka Salonen conducting the Los Angeles Philharmonic (with Anna Larsson, contralto; Donald Green, posthorn; Martin Chalifour, violin; Paulist Boy Choristers of California, Women of the Los Angeles Master Chorale) (Sony Classical)
Two discs of orchestral excerpts for trombone with commentary (Summit Records, OrchestraPro series). These are among the most sought after discs for those preparing for orchestral trombone auditions.
